In addition to the well executed standard piano tones are the more left-of-centre emulations like Glass Grand (which sound like: honky-tonk piano meets DX7) and Metal Grand (dry and attack-y). It does exactly what it implies, altering the firmness of the attack, giving you an organic and natural way to balance the tone and feel of each note. Delightfully rich piano sounds pour out of this collection: the Concert Grand and Classical Upright no-frills emulations are bang on the money and addictively satisfying to play, as are the more specialised Intimate Grand, Jazz Upright, and Piano-bar Upright models.Īmong the controls, which include String Tension, Stretch Tuning and Unison Detune, I found the hammers’ Hardness setting to be particularly useful. The piano is my first love, so I immediatey gravitated to Piano V. That’s enough about the old synths, here’s a deeper look into the new babies of the bunch. You can always assign chords to buttons via Arturia’s MIDI control centre, and the new Playlist feature is a much easier way of building sets without the limitation of only having 10 available spots. Also gone are the Chords and Snapshots related to Arturia’s Keylab hardware. One great update is the ability to have separate lots of mapped controls for each of the two multi-patch parts, previously you had one global set of controls for a Multi-patch. Now, when you edit the preset, the instrument appears in the top panel rather than in a separate window. Your choices feed into a new mixer, which is tabbed rather than scrolled, though it still provides the same functions - level control, MIDI assign, effects and preset management. It’s also de-emphasised the distinction between Single and Multi-engine sounds. The emphasis is on search, with a new search input field and keyword browsing. Likewise, as well as getting nicer-looking wooden end cheeks, the Mini V’s additional modulation/arp/motion flip-out screen looks much more modern.Īnalog Lab has undergone the biggest makeover. The VS engine is much clearer now, with the modulation, wavetables, envelopes, etc, now all selectable via tabs, while the straight-up Prophet V has additional chorus and analogue delay pedals. The Prophet V is much snappier when flipping between the 5, VS and hybrid engines - they slide across rather than unfold excruciatingly slowly. Underneath it also adds a five-slot pedal board with 11 effects to choose from, and an external LARC-looking reverb control. The previous version looked like you were squinting at a Wurlitzer through a letterbox slot, while the new one lets you see its legs. Arturia is obviously shooting for better usability rather than true-to-life panel layouts, which is a welcome change. The Oberheim SEM V’s arpeggiator, tune and portamento functions have been moved up into the top panel, adding pitch and mod wheels next to the wider keyboard. There’s also no more annoying rotating fans behind the grille. Arturia pulled out the CS-80V’s secret door modulation assignment panel and put it ‘under the bonnet’, leaving more room on the surface to spread out those faders. Both the CS-80V and Oberheim SEM V have gone a little off script. The Modular V’s floppy patch cable physics have been tightened up and the modules restacked with filters at the top and sequencer closer to the other controllers. Oddly, the Jupiter 8V has moved away from the original hardware colour scheme for a completely new look. Others have had cosmetic changes, like the ARP 2600V, which has shed its Blue Marvin skin for the 2601 orange and black colour scheme. Three of the newer additions - Matrix 12V, Solina V and Vox Continental V - remain unchanged other than the zoom factor. The fifth instalment has five new keyboards added to the mix, had its main menu system overhauled, and, would you believe it, now features resizable windows from 60-200% - no need to squint any longer!īefore we get into the new bits of gear, let’s recap and see what else Arturia has been fiddling with. They’ve been used on countless records as stand-ins for the often unattainable ‘real deal’, and the collection keeps growing. Arturia’s V Collection is a virtual candy store for vintage synth enthusiasts.
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